![]() We see characters dealing with survivor's guilt, PTSD, and paranoia, all as a result of Alpha's devastating statement of border control in the last season. (Hopefully, with Danai Gurira's impending exit, we may hopefully witness a conclusion soon.) Aaron, who’s not happy with Michonne's more cautious leadership style, looks to be repeating Rick's character arc, going from moralistic nice guy to world-weary battle sergeant.įar more interesting is the debate over how to respond to The Whisperers, the villainous group who hide beneath Walker skin. The two groups are still feverishly discussing what kind of community they want to be, with Michonne and Aaron leading the ongoing debate – one that’s been a consistent, overdone aspect of the show since season 8. We begin with the Hilltop and Alexandria teams. The 15 best Walking Dead episodes, ranked as season 10 approaches ![]() Luckily, that surface level subversion is easy to overlook once the characters are given space to breathe and interact. The episode then splits into multiple distinct chapters, each revolving around a different set of characters – a stylistic choice that, while continuing The Walking Dead’s long tradition of changing the show’s regular format for each premiere, fails to add much to its value. There’s been another time jump (hopefully the show’s last) and our survivors are stronger, healthier, and more organised than ever. Showrunner Angela Kang’s confidence, coming off the back of a well regarded ninth season, is palpable, and that strong start is generally representative of “Lines We Cross” overall.įollowing the brilliant beach battle, we catch up with the whereabouts of the main characters and communities. The action choreography is impressive, while the visual and practical effects blend together seamlessly. Starting in outer space (yes, you read that right), the camera soon drops us into a bloody coastal warzone. ![]() The episode’s opening sequence makes for a bold, cinematic re-introduction to the show. ![]()
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